PROBLEM PAINTINGS
The “problem” is that an organic or inorganic object obstructs each visage. Beets, a wrench or a banana — each obstacle is quotidian, but at this size, for some are as large as a pony, they are immediately iconic.
Asked whether the combinations were selected on formal principles alone, Fischer quickly responded in the affirmative. But he also explained that there is a correlation between the thing and the face. Reference
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